Refinery29: Anna Wintour and the red carpet dress caught up in the Weinstein scandal

It is intriguing to note the pains to which Jonathan van Meter goes in his profile of Georgina to confirm how deeply unfashionable Marchesa’s designs are. “[T]here is nothing even remotely edgy about what she does,” he writes, noting that Georgina herself “has no illusions of being avant-garde”. Which begs the question: Why did Anna consistently put them in the pages of Vogue? And why is the rehabilitation of Marchesa now a priority?

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